Superbly produced and much improved second album 'Death' has
propelled the band towards mainstream attention with its appealing mesh of
Levellers anarchic folk and heavy nods towards Bright Eyes, Biffy Clyro and
head cheerleader label-mate Frank Turner; the group completely casting aside the
unfair Mumford wannabe tag. In frontman
Jim Lockey there’s a voice which initially isn’t easy to fall in love with; gut-wrenchingly
passionate, sometimes too much and if you’re being overly critical, like A N
Other emo American group. It’s only
after the first couple of tracks and the triumphant ‘Songs About Death’ it
becomes obvious that it works perfectly with the band’s sound and lyrical
themes. Chris Capewell’s flawless, fizzing
guitar work steers the sound away from flat folk into angular rock whilst
Philip Randall impishly hops around the stage in the mould of RHCP nutjob Flea
delivering some brutal bass.
The hardcore punk rock influences are clear not only in
their love for banging choruses but also in their appearance on stage; clearly
able to fit in well with the Kerrang crowd but also crossing into the adult
rock arena with the anthemic blue collar sincerity of The Gaslight Anthem and
more locally, Billy Bragg. Although its
not the 25 million audience they played to at the Olympic opening ceremony last
year, there is a lot of love in the room for the band as some hearty singing
testifies. And whilst they lyrically
delve into themes of anti-nationalism (‘England ’s Dead’), battling
adversity (‘Wishing Well’) and freedom fighting (‘Warriors’), there’s some real
maturity in Lockey’s writing that promises much.
Into the middle of the set and the band decide to abandon
the stage and assemble in the audience for live acoustic favourite 'Boat
Song'. Every bit as energetically
committed unplugged amid the beaming crowd, Lockey and co huddle around, a
brave young group of lads harmonising a la barbershop quartet backed only by
melodica and acoustic guitar, one of the night’s highlights. Back to the stage and ‘Warriors’ has the
front few rows in another anarcho-folk frenzy with its pacy strumming and its
celebrated passionate throaty calls to arms; ‘You’ll be the saviour of this
kingdom, well yeah f**king right.’
The set closes with anthemic single 'England 's Dead' beginning with
gentle Damien Rice acoustic fumbling and building intricately into a cacophony
of wailing guitar and galloping drums.
The fervent crowd echo Lockey's angry ultimatum of 'You're either with
them or you're one of us'. Just shy of
45 minutes, it’s a powerful showcase of passionate poetic country-punk from a
band with all the tools and a fast-growing fandom to break through this year.
Kindly published by Venue website:
http://www.venue.co.uk/music-live-reviews-j/20166-jim-lockey-a-the-solemn-sun
Best Track: Click on link below
Jim Lockey & The Solemn Sun - Wishing Well