The 02 in
The rather tired Springsteen comparisons to tonight’s headliners are obvious; they share the same home town, fanatical support, love of blue collar rock and roll and mutual respect for each others passionate from-the-heart live shows that leave their fans embracing strangers and dewy-eyed. New album ‘Handwritten’ is a well documented departure in writing terms from their previous three efforts, its a continuation of the claustrophobic and personal ‘American Slang’ record but returning to the rockier sound of breakthrough album and underrated classic ’59 Sound’. The band has borrowed heavily from legends of yesteryear with a nod to Tom Petty, Neil Young and of course a cinematic Springsteen at his mid-70's peak but its done so with a precision formula that delivers triumphant cocktail of searing guitars, total vocal commitment and punk-edged rock and roll. In their current state they are difficult to pigeon-hole; awkwardly sitting somewhere between mainstream Killers/Kings of
Opening track 'Mae' is a delightful surprise. The atmosphere building tempo and chiming guitars married with Brian's gut-wrenching growl conjure a U2-esque start that elevates its standing when carefully segued into the blitz of signature tune and fan favourite '59 Sound'. ‘Old White Lincoln’ with its throbbing opening bass and pealing guitars sets up another deafening sing-a-long, surprising given the song’s fast paced lyrics but testament to the devotion in front of them. New anthem ‘45’ sounds fantastic live, another up-tempo slice of 50’s
Dave Hause eventually joins the band for a rip-roaring ‘American Slang’, an almost cheesy chunk of
Moving through punk oldie ‘Wooderson’ and ill-advised Nirvana cover ‘Sliver’, the band change tack for the ‘Queen of Lower Chelsea’, a gospel tinged soul paean most likely written for Fallon’s wife Hollie. Although the delirious pogo-ing has subsided it is clear that the band is still able to enchant on a track that threatens to alienate the NME/Kerrang clan. EP track ‘Blue Jeans and White T-Shirts’ brings the biggest cheer of the night. A delicate acoustic tale in a Green Day ‘Time of your Life’ mould that gives further insight on the band’s origins and proud heritage, husky vocals talking wistfully of sleeping on beaches and listening to old records meet with haunting guitar strains. The checked shirts grab their partners.
The band finishes on the majestic ‘Great Expectations’ prompting a spontaneous chant of ‘oh sha la la oh sha la la, listen honey here comes your man’ from not yet played new single ‘Here Comes My Man’. Further proof that the new record is going down well in the
It’s a superb end to their final UK gig. Fallon learning how to be a rock star, is as unassuming and humble as ever, clearly the upward curve that the band are experiencing still leaving them surprised and bewildered. With the quality of the songs and live performances however, it is obvious to the 3,000 capacity sell-out crowd that the band’s star is justifiably in the ascendency.
Best Tracks - Watch online through link below:
Gaslight Anthem - Blue Jeans and White T-Shirts
Gaslight Anthem - 59 Sound
Setlist:
- Mae
- The '59 Sound
- Old White Lincoln
- Even Cowgirls Get the Blues
- Boomboxes and Dictionaries
- 45
- Mulholland Drive
- Angry Johnny and the Radio
- SeƱor and the Queen
- American Slang
- Too Much Blood
- Howl
- Wooderson
- Sliver (Nirvana cover)
- The Queen of Lower Chelsea
- The Patient Ferris Wheel
- Blue Dahlia
- Blue Jeans & White T-Shirts
- Great Expectations
Encore:
- She Loves You
- Here Comes My Man
- 1930
- The Backseat
Mike Ward (left), Alex Rosamilia, Guitarist (mid), Mike Harley (right)
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